๐ ๐ฎ๐ช #16: A feminist whodunit from Ireland
Louise O'Neill explores an unsolved murder investigation
Welcome to Bookmarked, a weekly newsletter following my journey as I read one book from every country. If youโre enjoying my project, Iโd love it if you shared Bookmarked with a friend.
After the Silence is a contemporary crime novel by Irish author Louise OโNeill. Set in Inisrรบn, a fictional island off the coast of Cork, the novel follows Keelin Kinsella and her husband Henry after Nessa Crawley, a popular local teenager, was murdered during a party at their house. Though it is written in English, After the Silence is peppered with Irish words and phrases, a technique which OโNeill uses to establish the bookโs setting in a Gaeltacht islandโan environment in which Irish is the primary spoken language.
The novel is set ten years after the fateful party, when two Australian filmmakers arrive in Inisrรบn to make a true crime documentary about the unsolved murder. Locals have always assumed that either Keelin or Henry must be responsibleโand it doesnโt help that Henry, an English settler in whatโs effectively a closed community, is a status-obsessed bully. However, it soon becomes clear that there are a handful of possible suspects.
It was impossible to keep a secret on Inisrรบn. We had learned that as children, arriving home from a day running free across the islandโs skin, and our mothers would be waiting for us, recounting a list of our wrongdoings, as if they has been there to see them first-hand. It was a form of magic, we thought; the Women of Rรบn must be witches. We didnโt yet understand this was simply the way of the island. Words skipping from mouth to ear, like pebbles skimming the waterโs flesh, leaving ripples behind. We traded stories like we were bartering goods, for information was vital in a pace such as this. We could not live so close to one another if we did not know each otherโs secrets. The knowing kept us safe.
Though After the Silence starts off as a whodunit, itโs not long before the mystery surrounding Nessa Crawleyโs murder is overshadowed by themes of emotional trauma, coercive control, and psychological abuse. When the truth is ultimately revealed, it is by no means a surprise; I correctly identified the murderer about a quarter of the way through the book.
However, as a story about domestic abuse, After the Silence is smart and well-researched. OโNeill paints a realistic picture of how, having both fled a violent marriage and worked with domestic abuse victims, Keelin remains unable to recognise patterns of coercive control in Henryโs behaviour. Steering well clear of victim blaming, OโNeill carefully explores how Henry manages to seize control over every element of his wifeโs life, from her eating habits and exercise regime to her social media activity and friendships.
Don't you think it's interesting that we always ask, "Why do these women stay?" We never think to ask, "Why are these men violent?" or "Why won't these men stop terrorising their partners?"
The bookโs narrative switches between the lead up to the party and the present day. A lot of the bookโs exposition takes the form of interview transcripts which, though efficient, I couldnโt help but find a little lazy. I also found myself wishing for slightly more character-work from OโNeill: Henry, for example, is a fairly two-dimensional baddie.
Nonetheless, at 437 pages After the Silence is a quick read thatโll certainly have you thinking about the many facets of abuse and control and OโNeillโs thoughtful focus on abuse is a welcome departure from your run-of-the-mill murder mysteries.
After the Silence by Louise OโNeill (riverrrun, 2020)
More books by Irish authors
Hereโs a list of the other recommendations I received this week. Books Iโve read and loved are in bold:
Spill Simmer Falter Wither by Sara Baume
Milkman by Anna Burns
This Happy by Niamh Campbell
The Fire Starters by Jan Carson
Exciting Times by Naoise Dolan
Actressย by Anne Enright
Show Them a Good Timeย by Nicole Flattery
Big Girl Small Town by Michelle Gallen
A Ghost in the Throat by Doireann Nรญ Ghriofa
The Wild Laughter by Caoilinn Hughes
A Girl Is a Half-formed Thing by Eimear McBride
Dinosaurs on Other Planetsย by Danielle McLaughlin
Notes to Self by Emilie Pine
Conversations With Friends by Sally Rooney
Normal People by Sally Rooney
What have you read recently?
If youโve read a brilliant book in translation or want to pass on a recommendation, Iโd love to hear about it! For this project, Iโm focussing on contemporary fiction and short stories, with a preference for female authorsโbut I wonโt be too dogmatic about it so do share recommendations that donโt quite fit the bill, too.
You can get in touch by replying to this email or leaving a comment. Iโll be featuring your recommendations in upcoming newsletters, and Iโll keep a growing listย here.
Bookmarked is written by Tabatha Leggett. Thanks to Lynsey Reed from Literature Ireland and Ailbhe Malone for this issueโs recommendations. If you know someone who would enjoy this newsletter, please forward it to them!
I am absolutely loving your newsletter! Apologies if you've answered this elsewhere, but I'm so curious where you find each book and choose on which one to read for those countries? It feels so overwhelming!
This is a great concept for a newsletter!
I would like to share the best book Iโve read in translation this year. It has a great title, too: "Drive Your Plow Over the Bones of the Dead" by the Polish writer Olga Tokarฤuk.
Others might consider this to be more of a literary novel than a crime novel, but of course thereโs nothing to say that it canโt be both. It certainly features a number of murders and a mystery to be solved, so that makes it crime so far as I am concerned.
Itโs written from the first-person point of view of Janina Duszejko, who is an eccentric woman in her 60s, living in a rural area of Poland. Several strange deaths occur in the area and Duszejko, who is regarded by her neighbours as a crank, sets out to investigate and puts forward her theory that Nature is taking revenge for offences against it such as hunting wild animals. Each death seems to add evidence to confirm this oddball idea. Itโs a delightful book, and Duszejko is a wonderful character.